La intrahistoria en el drama histórico Mariana Pineda de Federico García Lorca

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                            [a] => It is the intention of this article to pay attention to contradictory and, because of that, original construction of Federico García Lorca's work, Mariana Pineda. Tradicionally, this text has been considered historical due to performing events; nevertheless, the source and the constitutive elements (such as the main character, the atmosphere, the time, narrators, the tone, and the ending) are intrahistorical. In relationship with that, Lorca reflects on History and, after the Spanish-American War in 1898, decides to come close to the important events through the intrahistorical thing.
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                            [t] => Castilla: Estudios de Literatura
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