El pincel de Alemán y el ojo del lector. Narrativa grutesca y pintura emblemática en "Guzmán de Alfarache"
- Statement of Responsibility:
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Darnis, Pierre
- Hlavní autor:
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Darnis, Pierre
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2012
- V:
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Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro ISSN 1988-1088 Nº. 6, 2012
- Předmětová hesla:
- Annotation:
-
This work aims at showing the iconographical basics of fictional poetics of Guzmán de Alfarache. In light of the initial engraving and of the pictorial stories embedded in the work, we discover that Mateo Alemán often introduces the esthetic of devices and Mannerist paintings in his novel. By virtue of this double influence, the two Parts of Guzmán establish with their audience (especially with the «discreto lector») a relationship that might induces a kinetic approach which allows to connect the short stories with the overall «vida» of Guzmán.
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| 022 | \ | \ | |a 1988-1088 |
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| 100 | \ | \ | |a Darnis, Pierre |
| 245 | \ | \ | |a El pincel de Alemán y el ojo del lector. Narrativa grutesca y pintura emblemática en "Guzmán de Alfarache" |c Darnis, Pierre |
| 260 | \ | \ | |c 2012 |
| 520 | 3 | \ | |a This work aims at showing the iconographical basics of fictional poetics of Guzmán de Alfarache. In light of the initial engraving and of the pictorial stories embedded in the work, we discover that Mateo Alemán often introduces the esthetic of devices and Mannerist paintings in his novel. By virtue of this double influence, the two Parts of Guzmán establish with their audience (especially with the «discreto lector») a relationship that might induces a kinetic approach which allows to connect the short stories with the overall «vida» of Guzmán. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Mateo Alemán | ||
| 650 | |a Guzmán de Alfarache | ||
| 650 | |a picaresque | ||
| 650 | |a poetry | ||
| 650 | |a rhetoric | ||
| 650 | |a emblems | ||
| 650 | |a devices | ||
| 650 | |a paint | ||
| 650 | |a anamorphosis | ||
| 650 | |a Mateo Alemán | ||
| 650 | |a Guzmán de Alfarache | ||
| 650 | |a picaresca | ||
| 650 | |a poética | ||
| 650 | |a retórica | ||
| 650 | |a emblemas | ||
| 650 | |a empresas | ||
| 650 | |a pintura | ||
| 650 | |a anamorfosis | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro |x 1988-1088 |g Nº. 6, 2012 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=4846558 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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