Boscán ante Petrarca. El proyecto de un cancionero imposible
- Statement of Responsibility:
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Lefèvre, Matteo
- Hlavní autor:
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Lefèvre, Matteo
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2013
- V:
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Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro ISSN 1988-1088 Nº. 7, 2013 (Ejemplar dedicado a: La obra de Juan Boscán)
- Předmětová hesla:
- Annotation:
-
In this article we analyse Boscán's poems contained in «Libro II» (Second Book) of the Obras de Boscán y algunas de Garcilaso de la Vega (Barcelona, Carles Amoros, 1543) throughout an ethical and spiritual point of view, as well as it stands out in Petrarch's Rerum Vulgarium Fragmenta. In this part of his cancionero, Boscán imitates the italian Poet, but his poems in their combination are far enough from Petrarch's spiritual perspective. In particular, imitatio styli doesn't match with imitatio vitae, and the spanish poet only reproduces formal and stylistic features as well as some literary motives of petrarchan Canzoniere, without really endorsing RVF moral structure, that culminates with the christian conversion of the poet and the abandonment of secular love.
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| 520 | 3 | \ | |a In this article we analyse Boscán's poems contained in «Libro II» (Second Book) of the Obras de Boscán y algunas de Garcilaso de la Vega (Barcelona, Carles Amoros, 1543) throughout an ethical and spiritual point of view, as well as it stands out in Petrarch's Rerum Vulgarium Fragmenta. In this part of his cancionero, Boscán imitates the italian Poet, but his poems in their combination are far enough from Petrarch's spiritual perspective. In particular, imitatio styli doesn't match with imitatio vitae, and the spanish poet only reproduces formal and stylistic features as well as some literary motives of petrarchan Canzoniere, without really endorsing RVF moral structure, that culminates with the christian conversion of the poet and the abandonment of secular love. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 650 | |a Poetical Imitation | ||
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| 650 | |a Lírica imperial | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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