La colonialidad de la naturaleza. Visualizaciones y "contra-visualizaciones" decoloniales para sostener la vida

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                            [a] => Las representaciones estereotipadas de la naturaleza construidas desde Europa a partir del siglo xv a través de distintos mecanismos, constituyeron un ejercicio de violencia espistémica que suprimió la condición humana de los sujetos-objetos-naturalezas extraeuropeos. En este sentido, las reproducciones de la naturaleza colonial sostenidas por la industria cultural constituyen la imaginación del presente y continúan legitimando prejuicios y suposiciones hegemónicas. A partir de este contexto de investigación, el presente artículo tratará de develar de manera crítica, no solo algunos mecanismos en la conformación de esa mirada panóptica colonial de género y su incidencia en la colonialidad de la mirada, sino también algunas maniobras de contra-visualización de las mismas, como es el caso del performance Dos amerindios no descubiertos visitan... y su potencial contribución como dispositivo decolonial. 
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                            [t] => Extravío: revista electrónica de literatura comparada
                            [x] => 1886-4902
                            [g] => Nº. 8,  2015 (Ejemplar dedicado a: Visualidades descoloniales: producciones desde América Latina; I-X),  pags. 1-22
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