Film religijny
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V: Kino R. 1999, nr 2, s. 50-51
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Obrazy, które on dla nas utrwalił
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V: Kino R. 1999, nr 2, s. 56
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Tajemniczy świat obrazów
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V: Kino R. 1999, nr 1, s. 46-47
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Model monografii: twórca czy dzieło?
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V: Kino R. 1999, nr 3, s. 50-51
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Jurajski park gatunków
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V: Kino R. 1999, nr 4, s. 31-32
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Conrad in the World of Film
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V: Con-texts R. 1999, nr 2/3, s. 85-89
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Film, literatura, twórca
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V: Miesięcznik Prowincjonalny ISSN 1506-5391 R. 2000, nr 3/4, s. 11-15
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Różne znaczenia identyfikacji
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V: Kino R. 2000, nr 1, s. 51-52
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Wielki prowokator
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V: Kino R. 2000, nr 9, s. 48-49
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Nauka i pasja
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V: Kino R. 2000, nr 9, s. 59-60
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Wszystkie książki mówią o miłości
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V: Cinema R. 2001, nr 12, s. 41-45
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Adaptace jako základní tvůrčí technika filmu
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V: Host ISSN 1211-9938 Roč. 17, 2001, č. 2, s. 57-64
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Co to jest thriller?
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V: Kino R. 2001, nr 3, s. 46-47
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Inny słownik
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V: Kino R. 2001, nr 7/8, s. 52-53
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Amerykanie o europejskiej teorii filmu
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V: Kino R. 2002, nr 7/8, s. 23-24
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Jung - film - nieznanne
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V: Kino R. 2002, nr 4, s. 55-56
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Sto lat myśli filmowej
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V: Kino R. 2003, nr 1, s. 59-60
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Literatura światowa w kinie włoskim
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V: Kino R. 2003, nr 3, s. 58-59
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Filmowy świat według Junga
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V: Kino R. 2003, nr 9, s. 66-67
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Maya
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V: Kino R. 2003, nr 10, s. 21-22
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