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Polski Beckett w Oslo

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V: Teatr R. 1995, nr 1, s. 40
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Egzamin z Ibsena

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V: Teatr R. 1995, nr 2, s. 38-39
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Ostatni fin de siecle po polsku: metafizyka płci

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V: Odra R. 1995, nr 2, s. 51-55
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"Miłość na Krymie" w Oslo

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V: Teatr R. 1996, nr 5, s. 34
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The Scandinavians in the Polish Theatre

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V: Le Theatre en Pologne = The Theatre in Poland R. 1997, nr 4, s. 53
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Jak wielka jest Wielka Reforma?

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V: Dialog [Warszawa] R. 1997, nr 5, s. 122-126
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Dyplomatyka i łowy, czyli ambasador w teatrze

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V: Dialog [Warszawa] R. 1997, nr 11, s. 112-128
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Szklany dom na zboczu

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V: Plus Minus R. 1997, nr 45, s. 2
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"Peer Gynt" jako wyzwanie

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V: Dialog [Warszawa] R. 1998, nr 11, s. 128-140
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Podziemie duszy

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V: Rzeczpospolita i Książki R. 1998, nr 28, s. 2
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Chuda krowa zżera tłustą

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V: Rzeczpospolita R. 1999, nr 219, s. 6
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Witkacy, Puzyna i czas obecny

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V: Teatr R. 1999, nr 10/12, s. 71-72
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Henrik Ibsen - mit osobisty

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V: Konteksty R. 1998, nr 3/4, s. 29-33
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Uwagi na temat planowanego wydania dzieł Augusta Strindberga

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V: Acta Sueco-Polonica ISSN 1104-3431 R. 1997, nr 5 (1996), s. 171-174
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A Grotesque "Dance of Death"

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V: Le Theatre en Pologne = The Theatre in Poland R. 1999, nr 1, s. 29-31
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Wydział Wiedzy o Teatrze: opowieść o początku

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V: Teatr R. 2000, nr 10, s. 44-45
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Jak w zwierciadle. Tadeusz Szczepański o filmach Ingmara Bergmana

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V: Kwartalnik Filmowy ISSN 0452-9502 R. 2000, nr 29/30, s. 277-281
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Watteau, Mariveaux, fetes galantes, czyli co się może wydarzyć w ogrodzie?

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V: Biuletyn Historii Sztuki ISSN 0006-3967 R. 2001, nr 1/4, s. 125-137
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Fenomen Witkacego. Wiele pytań, niewiele odpowiedzi

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V: Rocznik Towarzystwa Literackiego imienia Adama Mickiewicza R. 2001, r. 35 (2000), s. 11-22
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Dwa "Sezony w piekle": Rimbaud i Strindberg

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V: Res Facta Nova ISSN 1897-824X R. 1999, nr 3, s. 39-48
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