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Vášeň a ideál : Na křižovatkách moderny

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    Statement of Responsibility:
    Daniel Vojtěch.
    Main Author:
    Vojtěch, Daniel, 1971- Author

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    Format:
    Book
    Language:
    Czech
    Form / Genre:
    1. monografie
    2. studie
    Published:
    Praha : Academia, 2008.
    Edition:
    1. vyd.
    Subject persons:
    1. Breiský, Artur, 1885-1910

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    2. Březina, Otokar, 1868-1929

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    3. Chalupný, Emanuel, 1879-1958

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    4. Dyk, Viktor, 1877-1931

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    5. Fischer, Otokar, 1883-1938

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    6. Gellner, František, 1881-1914

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    7. Herben, Jan, 1857-1936

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    8. Hladík, Václav, 1868-1913

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    9. Hlaváček, Karel, 1874-1898

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    10. Holý, Josef, 1874-1928

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    11. Karásek ze Lvovic, Jiří, 1871-1951

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    12. Krejčí, F. V. 1867-1941

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    13. Lešehrad, Emanuel, 1877-1955

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    14. Machar, Josef Svatopluk, 1864-1942

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    15. Mahen, Jiří, 1882-1939

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    16. Marten, Miloš, 1883-1917

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    17. Masaryk, Tomáš Garrigue, 1850-1937

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    18. Mrštík, Vilém, 1863-1912

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    19. Neumann, Stanislav Kostka, 1875-1947

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    20. Novák, Arne, 1880-1939

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    21. Procházka, Arnošt, 1869-1925

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    22. Sezima, Karel, 1876-1949

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    23. Skácelík, František, 1873-1944

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    24. Sova, Antonín, 1864-1928

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    25. Svobodová, Růžena, 1868-1920

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    26. Theer, Otakar, 1880-1917

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    27. Toman, Karel, 1877-1946

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    28. Těsnohlídek, Rudolf, 1882-1928

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    29. Vrchlický, Jaroslav, 1853-1912

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    30. Nebeský, Jan, 1880-1944

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    31. Zeyer, Julius, 1841-1901

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    32. Šalda, F. X. 1867-1937

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    33. Šimek, Otakar, 1878-1950

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    34. Šrámek, Fráňa, 1877-1952

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    35. Čapek, Josef, 1887-1945

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    36. Čapek, Karel, 1890-1938

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    Subjects:
    Annotation:

    S Úvodem (s. 9-17) a s kapitolami: Dějiny kritiky, jejich předpoklady a možnosti (s. 19-47); - První desetiletí. Moderna - dekadence - periodizace (s. 49-104, s částmi: Modernismus, moderna, historismus {s. 53-71: Co je moderní; Moderní a historické; Moderna; Individualismus a krize subjektivity; Idea a ideologie, výzva "syntetismu"; Umělec vytváří sebe sama: moderní a moderna; Jiná tvář českého modernismu: myšlenka vzdělanosti; "Obtížný konzervatismus"}; Kritika {s. 72-104: Proměna žánru; Radikální křídlo moderny. K pojmu dekadence jako životnímu a uměleckému úběžníku konce 19. století /Ne-rozum ve věku rozumu; Dekadence jako manifestace modernismu; Sebetransformace - sebevydělení - zkušenost hranice; Dekadence jako další tvář českého modernismu/; Syntetismus}); - Proměny literárněkritické diskuse v období 1900-1910 (s. 105-208, s částmi: Polemika {s. 110-126: Literární politika; Podmínky žánrové proměny; Od dekadence k estetizaci života {s. 127-188: F. X. Šalda: Boj a snění. Ideál a strategie /Korespondence aneb "zákon afinity"; Boje o zítřek: vášeň, instinkt a etika nové kultury/; 1900-1906: bilance - syntéza a rozcestí /Dekadence a život; Mezigenerace?; Mladé časopisy; Sociální otázka a cesta krásy: F. V. Krejčí - ideál sociální; Jiří Karásek ze Lvovic - renesanční touhy a kritika života; Arnošt Procházka - cesta temné krásy/; 1906-1910: "Umírnění" a absolutní {s. 189-208: "Úpadek kritiky"; Dandy jako symbol života u Arthura Breiského; Řád veřejný a kritická žurnalistika; Tradiční a klasické}); - Místo závěru: "Podstatná duchová proměna doby" v času rozpadu včerejšího světa (s. 209-222); - se soupisem pramenů a literatury (s. 223-256), s autorovou Ediční poznámkou (s. 257-259), se jmenným rejstříkem (s. 263-273).


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