Musical analysis : historia, theoria, praxis.
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- Statement of Responsibility:
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edited by Anna Granat-Janki et al. ; The Karol Lipiński Academy of Music in Wrocław. The Chair of Music Theory and History of Silesian Music Culture.
- Corporate Author:
- Other Authors:
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Granat-Janki, Anna Redakcja
- Format:
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Book
- Language:
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English
- Form / Genre:
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Praca zbiorowa
- Published:
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Wrocław : The Publishing Department of the Karol Lipiński Academy of Music in Wrocław, 2021.
- Subjects:
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245 | |a Musical analysis : |b historia, theoria, praxis. |n Vol. 6 / |c edited by Anna Granat-Janki et al. ; The Karol Lipiński Academy of Music in Wrocław. The Chair of Music Theory and History of Silesian Music Culture. | ||
260 | \ | \ | |a Wrocław : |b The Publishing Department of the Karol Lipiński Academy of Music in Wrocław, |c 2021. |
300 | \ | \ | |a 379 stron : |b faksymilia, fotografie, ilustracje, nuty, portrety ; |c 24 cm. |
336 | \ | \ | |a Tekst |b txt |2 rdacontent |
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380 | \ | \ | |a Książki |
380 | \ | \ | |a Publikacje naukowe |
388 | 1 | \ | |a 2001- |
500 | \ | \ | |a Rozdziały lub artykuły tej książki skatalogowano pod własnymi tytułami. Dostępne pod tytułem pracy zbiorowej. |
504 | \ | \ | |a Bibliografie przy pracach. |
650 | \ | 7 | |a Intertekstualność |2 DBN |
650 | \ | 7 | |a Muzyka |2 DBN |
650 | \ | 7 | |a Teoria muzyki |2 DBN |
655 | \ | 7 | |a Praca zbiorowa |2 DBN |
658 | \ | \ | |a Historia |
658 | \ | \ | |a Kultura i sztuka |
700 | 1 | \ | |a Granat-Janki, Anna |e Redakcja |
710 | 2 | \ | |a Katedra Teorii Muzyki i Historii Śląskiej Kultury Muzycznej (Akademia Muzyczna im. Karola Lipińskiego ; Wrocław) |e Instytucja sprawcza |1 http://viaf.org/viaf/311358450 |
710 | 2 | \ | |a Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław) |e Wydawca |4 pbl |1 http://viaf.org/viaf/307486205 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002690031 |y has part: Grajter Małgorzata, The concept of intersemiotic translation and its application to the analysis of a musical work : 'translating' Fryderyk Chopin's "Preludes" |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689878 |y has part: Walker Julie, Chopin's last style : toward a definition |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689743 |y has part: Bartos Katarzyna, On a sacred scarab's trail : "Reportage II 'Figures on the sand'" by Grażyna Pstrokońska-Nawratil |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689705 |y has part: Zwierzycka Agnieszka, "Pieśni Gabryelli" (The Songs of Gabryella), Op. 25 by Władysław Żeleński : from genesis to resonance |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689671 |y has part: Bolesławska-Lewandowska Beata, Between the poet and the composer : on "Nowy lirnik mazowiecki" (New Mazovian lyrist) by Paweł Hertz and Zygmunt Mycielski |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689653 |y has part: Ferenc Aleksandra, Intertextual and intersemiotic relations in Rafał Augustyn's "Miroirs" |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689602 |y has part: Nowak Anna, Inter-compositional relationships as a research problem in the works of contemporary composers |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689523 |y has part: Tuchowski Andrzej, Tonality and shaping of the thematic material : Beethoven’s piano sonatas in C minor as a potential source of inspiration for 'futuristic' integrative techniques in "Sonata in B-flat Minor", Op. 35 by Chopin |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689510 |y has part: Grimalt Joan, Mozart’s "String quartet" K. 421 : a topical-rhetorical narrative analysis |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689494 |y has part: Bruhn Siglind, The "Dies irae" of respectful remembrance and the twelve-tone rows of death in Shostakovich’s "Symphony no. 14" |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689456 |y has part: McClelland Clive, Terrifying trees and frightening forests : signifying the supernatural in nature in German Romantic music |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689423 |y has part: Meeùs Nicolas, Intrinsic and extrinsic meaning in verbal language and in music |
923 | \ | \ | |a Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław) |
995 | \ | \ | |a Polska Bibliografia Literacka |b PBL 2013-2023: książki |
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The concept of intersemiotic translation and its application to the analysis of a musical work : 'translating' Fryderyk Chopin's "Preludes"
Grajter Małgorzata
On a sacred scarab's trail : "Reportage II 'Figures on the sand'" by Grażyna Pstrokońska-Nawratil
Bartos Katarzyna
"Pieśni Gabryelli" (The Songs of Gabryella)
Op. 25 by Władysław Żeleński : from genesis to resonance,Zwierzycka Agnieszka
Between the poet and the composer : on "Nowy lirnik mazowiecki" (New Mazovian lyrist) by Paweł Hertz and Zygmunt Mycielski
Bolesławska-Lewandowska Beata
Inter-compositional relationships as a research problem in the works of contemporary composers
Nowak Anna
Tonality and shaping of the thematic material : Beethoven’s piano sonatas in C minor as a potential source of inspiration for 'futuristic' integrative techniques in "Sonata in B-flat Minor"
Op. 35 by Chopin,Tuchowski Andrzej
The "Dies irae" of respectful remembrance and the twelve-tone rows of death in Shostakovich’s "Symphony no. 14"
Bruhn Siglind
Musical analysis : historia, theoria, praxis.
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