Musical analysis : historia, theoria, praxis.
- Statement of Responsibility:
-
edited by Anna Granat-Janki et al. ; The Karol Lipiński Academy of Music in Wrocław. The Chair of Music Theory and History of Silesian Music Culture.
- Corporate Author:
- Other Authors:
-
Granat-Janki, Anna Redakcja
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
-
Book
- Language:
-
English
- Form / Genre:
-
Praca zbiorowa
- Published:
-
Wrocław : The Publishing Department of the Karol Lipiński Academy of Music in Wrocław, 2021.
- Subjects:
| LEADER | 04240nam a2200541 i 4500 | ||
| 001 | b1000002402698 | ||
| 005 | 20221027081359.9 | ||
| 008 | 220413s2021\\\\pl\hoag\\\\\\|000\0\eng\c | ||
| 009 | 991053009938205066 | ||
| 015 | \ | \ | |a UWD 2022/16967 |
| 020 | \ | \ | |a 9788365473318 |q (oprawa miękka) |
| 040 | \ | \ | |a KR U |c KR U |d KR U |d LUBL KUL |d WA N |
| 080 | \ | \ | |8 1.1\x |a 78.03 |
| 080 | \ | \ | |8 1.2\x |a 781 |
| 245 | |a Musical analysis : |b historia, theoria, praxis. |n Vol. 6 / |c edited by Anna Granat-Janki et al. ; The Karol Lipiński Academy of Music in Wrocław. The Chair of Music Theory and History of Silesian Music Culture. | ||
| 260 | \ | \ | |a Wrocław : |b The Publishing Department of the Karol Lipiński Academy of Music in Wrocław, |c 2021. |
| 300 | \ | \ | |a 379 stron : |b faksymilia, fotografie, ilustracje, nuty, portrety ; |c 24 cm. |
| 336 | \ | \ | |a Tekst |b txt |2 rdacontent |
| 337 | \ | \ | |a Bez urządzenia pośredniczącego |b n |2 rdamedia |
| 338 | \ | \ | |a Wolumin |b nc |2 rdacarrier |
| 380 | \ | \ | |a Książki |
| 380 | \ | \ | |a Publikacje naukowe |
| 388 | 1 | \ | |a 2001- |
| 500 | \ | \ | |a Rozdziały lub artykuły tej książki skatalogowano pod własnymi tytułami. Dostępne pod tytułem pracy zbiorowej. |
| 504 | \ | \ | |a Bibliografie przy pracach. |
| 650 | \ | 7 | |a Intertekstualność |2 DBN |
| 650 | \ | 7 | |a Muzyka |2 DBN |
| 650 | \ | 7 | |a Teoria muzyki |2 DBN |
| 655 | \ | 7 | |a Praca zbiorowa |2 DBN |
| 658 | \ | \ | |a Historia |
| 658 | \ | \ | |a Kultura i sztuka |
| 700 | 1 | \ | |a Granat-Janki, Anna |e Redakcja |
| 710 | 2 | \ | |a Katedra Teorii Muzyki i Historii Śląskiej Kultury Muzycznej (Akademia Muzyczna im. Karola Lipińskiego ; Wrocław) |e Instytucja sprawcza |1 http://viaf.org/viaf/311358450 |
| 710 | 2 | \ | |a Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław) |e Wydawca |4 pbl |1 http://viaf.org/viaf/307486205 |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002690031 |y has part: Grajter Małgorzata, The concept of intersemiotic translation and its application to the analysis of a musical work : 'translating' Fryderyk Chopin's "Preludes" |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689878 |y has part: Walker Julie, Chopin's last style : toward a definition |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689743 |y has part: Bartos Katarzyna, On a sacred scarab's trail : "Reportage II 'Figures on the sand'" by Grażyna Pstrokońska-Nawratil |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689705 |y has part: Zwierzycka Agnieszka, "Pieśni Gabryelli" (The Songs of Gabryella), Op. 25 by Władysław Żeleński : from genesis to resonance |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689671 |y has part: Bolesławska-Lewandowska Beata, Between the poet and the composer : on "Nowy lirnik mazowiecki" (New Mazovian lyrist) by Paweł Hertz and Zygmunt Mycielski |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689653 |y has part: Ferenc Aleksandra, Intertextual and intersemiotic relations in Rafał Augustyn's "Miroirs" |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689602 |y has part: Nowak Anna, Inter-compositional relationships as a research problem in the works of contemporary composers |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689523 |y has part: Tuchowski Andrzej, Tonality and shaping of the thematic material : Beethoven’s piano sonatas in C minor as a potential source of inspiration for 'futuristic' integrative techniques in "Sonata in B-flat Minor", Op. 35 by Chopin |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689510 |y has part: Grimalt Joan, Mozart’s "String quartet" K. 421 : a topical-rhetorical narrative analysis |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689494 |y has part: Bruhn Siglind, The "Dies irae" of respectful remembrance and the twelve-tone rows of death in Shostakovich’s "Symphony no. 14" |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689456 |y has part: McClelland Clive, Terrifying trees and frightening forests : signifying the supernatural in nature in German Romantic music |
| 856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b1000002689423 |y has part: Meeùs Nicolas, Intrinsic and extrinsic meaning in verbal language and in music |
| 923 | \ | \ | |a Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław) |
| 995 | \ | \ | |a Polska Bibliografia Literacka |b PBL 2013-2023: książki |
stdClass Object
(
[LEADER] => 04240nam a2200541 i 4500
[001] => Array
(
[0] => b1000002402698
)
[005] => Array
(
[0] => 20221027081359.9
)
[008] => Array
(
[0] => 220413s2021\\\\pl\hoag\\\\\\|000\0\eng\c
)
[009] => Array
(
[0] => 991053009938205066
)
[015] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => UWD 2022/16967
)
)
)
[020] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => 9788365473318
[q] => (oprawa miękka)
)
)
)
[040] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => KR U
[c] => KR U
[d] => Array
(
[0] => KR U
[1] => LUBL KUL
[2] => WA N
)
)
)
)
[080] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[8] => 1.1\x
[a] => 78.03
)
)
[1] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[8] => 1.2\x
[a] => 781
)
)
)
[245] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => 0
[code] => stdClass Object
(
[a] => Musical analysis :
[b] => historia, theoria, praxis.
[n] => Vol. 6 /
[c] => edited by Anna Granat-Janki et al. ; The Karol Lipiński Academy of Music in Wrocław. The Chair of Music Theory and History of Silesian Music Culture.
)
)
)
[260] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Wrocław :
[b] => The Publishing Department of the Karol Lipiński Academy of Music in Wrocław,
[c] => 2021.
)
)
)
[300] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => 379 stron :
[b] => faksymilia, fotografie, ilustracje, nuty, portrety ;
[c] => 24 cm.
)
)
)
[336] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Tekst
[b] => txt
[2] => rdacontent
)
)
)
[337] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Bez urządzenia pośredniczącego
[b] => n
[2] => rdamedia
)
)
)
[338] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Wolumin
[b] => nc
[2] => rdacarrier
)
)
)
[380] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Książki
)
)
[1] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Publikacje naukowe
)
)
)
[388] => Array
(
[0] => stdClass Object
(
[ind1] => 1
[ind2] => \
[code] => stdClass Object
(
[a] => 2001-
)
)
)
[500] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Rozdziały lub artykuły tej książki skatalogowano pod własnymi tytułami. Dostępne pod tytułem pracy zbiorowej.
)
)
)
[504] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Bibliografie przy pracach.
)
)
)
[650] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Intertekstualność
[2] => DBN
)
)
[1] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Muzyka
[2] => DBN
)
)
[2] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Teoria muzyki
[2] => DBN
)
)
)
[655] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Praca zbiorowa
[2] => DBN
)
)
)
[658] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Historia
)
)
[1] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Kultura i sztuka
)
)
)
[700] => Array
(
[0] => stdClass Object
(
[ind1] => 1
[ind2] => \
[code] => stdClass Object
(
[a] => Granat-Janki, Anna
[e] => Redakcja
)
)
)
[710] => Array
(
[0] => stdClass Object
(
[ind1] => 2
[ind2] => \
[code] => stdClass Object
(
[a] => Katedra Teorii Muzyki i Historii Śląskiej Kultury Muzycznej (Akademia Muzyczna im. Karola Lipińskiego ; Wrocław)
[e] => Instytucja sprawcza
[1] => http://viaf.org/viaf/311358450
)
)
[1] => stdClass Object
(
[ind1] => 2
[ind2] => \
[code] => stdClass Object
(
[a] => Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław)
[e] => Wydawca
[4] => pbl
[1] => http://viaf.org/viaf/307486205
)
)
)
[856] => Array
(
[0] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002690031
[y] => has part: Grajter Małgorzata, The concept of intersemiotic translation and its application to the analysis of a musical work : 'translating' Fryderyk Chopin's "Preludes"
)
)
[1] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689878
[y] => has part: Walker Julie, Chopin's last style : toward a definition
)
)
[2] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689743
[y] => has part: Bartos Katarzyna, On a sacred scarab's trail : "Reportage II 'Figures on the sand'" by Grażyna Pstrokońska-Nawratil
)
)
[3] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689705
[y] => has part: Zwierzycka Agnieszka, "Pieśni Gabryelli" (The Songs of Gabryella), Op. 25 by Władysław Żeleński : from genesis to resonance
)
)
[4] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689671
[y] => has part: Bolesławska-Lewandowska Beata, Between the poet and the composer : on "Nowy lirnik mazowiecki" (New Mazovian lyrist) by Paweł Hertz and Zygmunt Mycielski
)
)
[5] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689653
[y] => has part: Ferenc Aleksandra, Intertextual and intersemiotic relations in Rafał Augustyn's "Miroirs"
)
)
[6] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689602
[y] => has part: Nowak Anna, Inter-compositional relationships as a research problem in the works of contemporary composers
)
)
[7] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689523
[y] => has part: Tuchowski Andrzej, Tonality and shaping of the thematic material : Beethoven’s piano sonatas in C minor as a potential source of inspiration for 'futuristic' integrative techniques in "Sonata in B-flat Minor", Op. 35 by Chopin
)
)
[8] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689510
[y] => has part: Grimalt Joan, Mozart’s "String quartet" K. 421 : a topical-rhetorical narrative analysis
)
)
[9] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689494
[y] => has part: Bruhn Siglind, The "Dies irae" of respectful remembrance and the twelve-tone rows of death in Shostakovich’s "Symphony no. 14"
)
)
[10] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689456
[y] => has part: McClelland Clive, Terrifying trees and frightening forests : signifying the supernatural in nature in German Romantic music
)
)
[11] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/b1000002689423
[y] => has part: Meeùs Nicolas, Intrinsic and extrinsic meaning in verbal language and in music
)
)
)
[923] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Wydawnictwo Akademii Muzycznej im. Karola Lipińskiego (Wrocław)
)
)
)
[995] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Polska Bibliografia Literacka
[b] => PBL 2013-2023: książki
)
)
)
)
The concept of intersemiotic translation and its application to the analysis of a musical work : 'translating' Fryderyk Chopin's "Preludes"
Grajter Małgorzata
On a sacred scarab's trail : "Reportage II 'Figures on the sand'" by Grażyna Pstrokońska-Nawratil
Bartos Katarzyna
"Pieśni Gabryelli" (The Songs of Gabryella)
Op. 25 by Władysław Żeleński : from genesis to resonance,Zwierzycka Agnieszka
Between the poet and the composer : on "Nowy lirnik mazowiecki" (New Mazovian lyrist) by Paweł Hertz and Zygmunt Mycielski
Bolesławska-Lewandowska Beata
Inter-compositional relationships as a research problem in the works of contemporary composers
Nowak Anna
Tonality and shaping of the thematic material : Beethoven’s piano sonatas in C minor as a potential source of inspiration for 'futuristic' integrative techniques in "Sonata in B-flat Minor"
Op. 35 by Chopin,Tuchowski Andrzej
The "Dies irae" of respectful remembrance and the twelve-tone rows of death in Shostakovich’s "Symphony no. 14"
Bruhn Siglind
Musical analysis : historia, theoria, praxis.
Notice: Undefined index: author in /var/www/html/lite/themes/default/templates/record/by-link.php on line 10
