Spectacle et signification

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                            [a] => Spectacle et signification /
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                            [a] => Candiac : 
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                            [c] => 1992
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                            [a] => Avant-propos. - I. La jeune discipline aux racines millenaires: 1. Vingt-trois siecles de la (pre) semiologie du spectacle et du theatre. 2. Le signe au theatre. 3. Sur la semiologie theatrale. - II. Le texte et le spectacle: 4. Rapports entre la mise en scene et la parole. 5. Le texte et son interpretation theatrale. 6. Du texte ecrit a la representation - de la representation au texte ecrit. 7. Signe zero. - III. Le fonctionnement des signes au theatre: 8. Creation - emission - perception - interpretation. 9. Sur le referent du signe au theatre. 10. Intonation: iconicite ou mimetisme? 11. Jeu scenique comme systeme de signes codifies et codes. 12. Iconographie-iconologie theatrale: le signe iconique et son referent. 13. Avant-garde, modernite, creativite: jeu insolite entre signifiants, signifies et refernts. 14. Le temps scenique signifie par l'espace. 15. Le theme d'"Hamlet" comme macrosigne. - IV. Le theatre et ses voisins: 16. Theatre comme spatialisation de la litterature. 17. Litterature, theatre, cinema: comparaison n'est pas raison? 18. Spectacle theatrale, lieu de rencontre privilegie entre la litterature, les arts plasiques et la musique. 19. Semiologie du theatre: etat present, problematique, perspectives.
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                            [y] => reviewed by: Bassnett Susan, [no title], Theatre Research International, Oxford 1996, nr 2, s. 181-182
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