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[1] => http://viaf.org/viaf/101802185
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[a] => Wstęp. * I. Pojęcia: 1. Czym jest powieść niefabularna? 2. Podstawy typologii współczesnej polskiej powieści niefabularnej. - II. Formy: 1. Proza introspekcyjna [ Andrzej Kuśniewicz: Stan nieważkości, Lekcja martwego języka; Wiktor Woroszylski: Sny pod śniegiem; Stanisław Srokowski: Lęk, Wtajemniczenie]. 2. Proza dyskursywna [Jacek Bocheński: Boski Juliusz; Kazimierz Brandys: Dżoker; proza Mirona Białoszewskiego; Marek Słyk: W barszczu przygód, W rosole powikłań, W krupniku rozstrzygnięć]. 3. Proza serialna [Leopold Buczkowski: Młody poeta w zamku, Pierwsza świetność; Teodor Parnicki: Tożsamość, Muza dalekich podróży, Przeobrażenie; Stanisław Srokowski: Chrobaczki]. - III. Strategie: 1. Strategie niefabularności [Stanisław Lem: Doskonała próżnia, Wielkość urojona; Edward Redliński: Nikiformy]. 2. Czasoprzestrzenie opowieści. 3. Ku antropologicznej poetyce opowiadania
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[y] => reviewed by: Kopeć Zbigniew, [no title], Poznańskie Studia Polonistyczne. Seria Literacka, Poznań 1999, t. 6, s. 318
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