O "polifonię głosów zbiorowych". Wileńska krytyka teatralna 1906-1940

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                            [a] => O "polifonię głosów zbiorowych". Wileńska krytyka teatralna 1906-1940 /
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                            [a] => Wstęp. * I: W kręgu krajowości i regionalizmu [ideowe źródła postaw i zachowań recenzentów wileńskich]. II. Tradycje Wilna romantycznego [recepcja twórczości Adama Mickiewicza i Juliusza Słowackiego]. III: Dramat i teatr rosyjski w Wilnie 1906-1940 [także nt. publiczności rosyjskojęzycznej w wypowiedziach krytyków oraz nt. dramatów polskich i obcych o Rosji] . IV: Dramat i teatr żydowski [m.in. nt. komedii Antoniego Słonimskiego]. V: Reduta w Wilnie czy Reduta Wileńska? [Zawiera także biogramy krytyków, m.in. następujących twórców: Teodor Bujnicki, Walerian Charkiewicz, Stanisław Cywiński, Benedykt Hertz, Czesław Jankowski, Mieczysław Limanowski, Tadeusz Łopalewski, Józef Maśliński, Helena Romer-Ochenkowska, Wanda Stanisławska]. [Zawiera także spis periodyków drukujących recenzje teatralne wraz z nazwiskami recenzentów współpracujących z tymi czasopismami].
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                            [y] => reviewed by: [no author], [no title], Rzeczy Teatralne, Warszawa 2003, nr 12, s. 60
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