La música y los silencios. Una lectura sociocrítica de Música amenazada de Félix Grande
- Statement of Responsibility:
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García Hernández, María José
- Main Author:
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García Hernández, María José
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2016
- In:
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Sociocriticism ISSN 0985-5939 Vol. 31, Nº. 1, 2016, pags. 107-131
- Subjects:
- Annotation:
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The article analyzes the opposing semiotics present in two poems that belong to the book of Félix Grande Música amenazada. The study focuses on the opposition music and silences that functions as a semiotic vortex. This vortex structures the mediations between the text itself and the social context of the time when the work was produced. In this sense, the poetic expression transcribes to a collective consciousness and a criticism of the social repression expressed not only through semantics but also through the materiality of poetic discourse. Therefore, the threat mentioned in the title gains a social and political dimension that transcribes the tensions experienced at the time of production.
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| 520 | 3 | \ | |a The article analyzes the opposing semiotics present in two poems that belong to the book of Félix Grande Música amenazada. The study focuses on the opposition music and silences that functions as a semiotic vortex. This vortex structures the mediations between the text itself and the social context of the time when the work was produced. In this sense, the poetic expression transcribes to a collective consciousness and a criticism of the social repression expressed not only through semantics but also through the materiality of poetic discourse. Therefore, the threat mentioned in the title gains a social and political dimension that transcribes the tensions experienced at the time of production. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 773 | |t Sociocriticism |x 0985-5939 |g Vol. 31, Nº. 1, 2016, pags. 107-131 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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