Transición narrativa incompleta. La imagen de sí mismos en la novela gay popular de la España contemporánea
- Statement of Responsibility:
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Kolakowski, Marcin
- Main Author:
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Kolakowski, Marcin
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- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2016
- In:
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Sociocriticism ISSN 0985-5939 Vol. 31, Nº. 2, 2016, pags. 89-123
- Subjects:
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- Annotation:
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The present paper analyses manners in which the image of gay men is being discursively and textually established in three novels: Diles que me quieres by Ángel Hernández, Te esperaré by Tomás Ortiz and El viaje de Marcos by Óscar Hernández. The chosen novels can be considered gay popular fiction and they have been chosen for the purpose of the investigation since popular narrative patterns, according to popular culture theories, shape the image of transitional identities more adequately than any others. In order to achieve the analytical goal, the relationship between the narrator and the characters (LGBTQ community members) has been determined, as well as comparison with similar Polish literary works has been made. Finally, sociocritical theory served as means of revealing the social, political and cultural implications of the immersion of popular gay narrative in the heteronormative culture.
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| 520 | 3 | \ | |a The present paper analyses manners in which the image of gay men is being discursively and textually established in three novels: Diles que me quieres by Ángel Hernández, Te esperaré by Tomás Ortiz and El viaje de Marcos by Óscar Hernández. The chosen novels can be considered gay popular fiction and they have been chosen for the purpose of the investigation since popular narrative patterns, according to popular culture theories, shape the image of transitional identities more adequately than any others. In order to achieve the analytical goal, the relationship between the narrator and the characters (LGBTQ community members) has been determined, as well as comparison with similar Polish literary works has been made. Finally, sociocritical theory served as means of revealing the social, political and cultural implications of the immersion of popular gay narrative in the heteronormative culture. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a heteronormatividad | ||
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| 650 | |a Óscar Hernández | ||
| 650 | |a sociocritique | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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