Máscaras culturalistas en tres poetas de los sesenta: la poesía de Carlos Álvarez, Joaquín Benito de Lucas y Félix Grande

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                            [a] => El uso de máscaras culturalistas es uno de los rasgos principales que caracterizan a los poetas de los setenta y que contribuyen a instaurar la ruptura poética adscrita al grupo de los novísimos. Pero muchos de los elementos innovadores que enarbola el grupo de Castellet ya habían aparecido en la poesía española. Se muestran a continuación cómo poetas de los sesenta como Carlos Álvarez, Joaquín Benito de Lucas y Félix Grande emplean correlatos objetivos para enmascarar al yo lírico.
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                            [g] => Nº. 12,  2016 (Ejemplar dedicado a: Las personas del poema:  modulaciones  en la lírica contemporánea),  pags. 134-157
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