Animales y "narratividad". Dos muestras para un bestiario en la lírica de dos generaciones españolas contemporáneas
- Statement of Responsibility:
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Moreno Pedrosa, Joaquín
- Main Author:
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Moreno Pedrosa, Joaquín
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2017
- In:
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Lectura y signo: revista de literatura ISSN 1885-8597 Nº. 12, 1, 2017, pags. 7-26
- Subjects:
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- Annotation:
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As it is highlighted by Robert Langbaum in The poetry of experience, since the end of the Eighteenth Century, European poetry started including characteristics of fiction and drama in order to separate the perspective of the lyrical subject and transform its experience into an empirical fact. Regarding the Spanish poetic outlook, animals are one of the most frequently used referents as objective correlative, so as to represent feelings and subjective revelations as places, times and other elements out of the lyrical subject. Its presence is always accompanied by narrative features in the poem, as it is seen in a variety of examples from two poetic generations.
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| 520 | 3 | \ | |a As it is highlighted by Robert Langbaum in The poetry of experience, since the end of the Eighteenth Century, European poetry started including characteristics of fiction and drama in order to separate the perspective of the lyrical subject and transform its experience into an empirical fact. Regarding the Spanish poetic outlook, animals are one of the most frequently used referents as objective correlative, so as to represent feelings and subjective revelations as places, times and other elements out of the lyrical subject. Its presence is always accompanied by narrative features in the poem, as it is seen in a variety of examples from two poetic generations. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 773 | |t Lectura y signo: revista de literatura |x 1885-8597 |g Nº. 12, 1, 2017, pags. 7-26 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=6240907 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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