El discurso amoroso de Eugenio de Nora

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                            [a] => Far from being a minor collection of poems disjointed from the social and existential later works of Eugenio de Nora, Amor prometido (1946), the poet's first collection published right after the end of the Civil war, is a matrix for his entire poetry. Building on stereotyped patterns, Nora is elaborating his own poetical voice, consistently with the poetical love long tradition and with its recent revivals - also unsettling them occasionally. Thus the poet's lover's discourse conceals disruption under conventions and bears an ideological dimension as well as metapoetical views. It suggests a dark present and the limitations of poetical language in the immediate post-war period.
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                            [t] => Poéticas: Revista de Estudios Literarios
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                            [g] => Nº. 7,  2017 (Ejemplar dedicado a: NÚMERO 7),  pags. 5-25
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