Estética fascista y narrativas racistas en Los pilotos de altura (1929) y La estrella del capitán Chimista (1930 )

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                            [a] => The publication of  the last two novels of the Barojian trilogy  El mar coincides with the  rise  of  fascism  and  the  dissemination  of  the  cultural  symbols  and  myths  that  make  up  its  ideological  framework.  Many  of  Pío  Baroja 's  journalistic  articles  focus  on  burning  issues  in  the  European  intellectual  atmosphere  such  as  the  Jewish  question,  the  popularization  of  racist  theories or the failure of parliamentary democracies. This article extends the Barojian interest in  fascism b eyond  hi s articles and integrates it in these novels that flirt with  the  founding myths of  fascism.  The aesthetic and  emotional connection of  certain characters of  these novels with the  fascist  culture  does  not  mean  that  Baroja  was  a  fascist  because  these  novels  were  satisfying  certain popular tastes of  the period
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                            [t] => Castilla: Estudios de Literatura
                            [x] => 1989-7383
                            [g] => Nº. 9,  2018
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