Tiempo para la burla obsceno-escatológica. Las sandingas: fiesta, sexualidad e inversión del orden en un pueblo de Andalucía

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                            [a] => During the Candlemas feast (February 2), the inhabitants of La Puebla de los Infantes (Seville, Andalusia, Spain) celebrate around olive bonfires (candelas­), in which they burn dummies (muñecos) and original satiric sceneries, while men and women sing sandingas, a type of eminently burlesque song in which the obscene and the scatological remarks are considered the "salt and pepper" of the festivity. Linking these carnivalesque customs to the liminal time of festive turbulence that precedes the beginning of spring, this paper intends to understand the logic of symbolic degradation and cosmic renovation that underlies the piquant songs. With these, the inhabitants of La Puebla -and very particularly women- amuse themselves satirizing the mother-in-law, the neighbor, but especially the opposite sex, in a symbolic battle that emphasizes the archaic apotropaic sense of laughter and obscenity, as well as the belief in the fertilizing power that should be born from the struggle of opposite but complementary forces.
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                            [a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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                            [t] => Boletín de Literatura Oral
                            [x] => 2173-0695
                            [g] => nº 8,  2018,  pags. 133-157
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