Las fotografías de Poeta en Nueva York, de Federico García Lorca:: Ensayo de reconstrucción

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                            [a] => When Lorca decided to publish  P oeta en Nueva York , in 1936, he conceived the book as  a dialogue between verbal images and visual images. The Mexican edition, however,  had  only four  drawings and no photographs. This work wants to verify what is lost when the photographs are  lost.  Lorca  l eft  us  enough  evidence  to  reconstruct  the  original  project  that  his  murder  cut  off.  Photographs are an essential part of this. It means a rejection of any explanation of the photos as  illustrations or as simple support of the texts. In fact, they resist an y intention to order them that way.  They interact with words in a dynamic  way, altering them, modifying them or giving them  new nuances and meanings. That is, without doubt, the value that Lorca gave them, because his  plastic sensibility discovered in New  York the central place of visual images  in  Modernity
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