Un arquetipo del tirano en «El primero rey del mundo» de Antonio Enríquez Gómez

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                            [a] => En este artículo se estudia el tratamiento de la figura de Nembrot/Nimrod en la comedia de Antonio Enríquez Gómez El primero rey del mundo, conocida más comúnmente como La soberbia de Nembrot. Se detalla cómo evolucionan, desde la Antigüedad hasta el siglo XVII, los rasgos antropológicos del gran cazador y del rey babilónico hasta considerar al personaje como un símbolo de soberbia, desobediencia y tiranía. En particular, se estudia su configuración en el teatro del Siglo de Oro señalando las coincidencias entre el personaje concebido por Enríquez Gómez y el retratado por otros dramaturgos, sobre todo Calderón: desde el aspecto ferino a las formas de exaltación individual que lo asemejan al tirano por amor y por el poder.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 7,  Nº. 1,  2019,  pags. 469-480
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