Estudio métrico del endecasílabo en los sonetos de Diego Hurtado de Mendoza
- Statement of Responsibility:
-
Pesqueira Rodríguez, Sandra
- Main Author:
- Format:
-
Journal article
- Language:
-
Spanish; Castilian
- Form / Genre:
-
text (article)
- Published:
-
Universidad de León: Servicio de Publicaciones 2008
- In:
-
Lectura y signo: revista de literatura ISSN 1885-8597 Nº. 3, 1, 2008, pags. 11-64
- Subjects:
- Annotation:
-
With probability, Diego Hurtado de Mendoza is more known by his compositions in octosílabos that for being one of the predecessors in the use of the sonnet in Spain; nevertheless, it is interesting to try to reconstruct the steps that marked the way of this poet formed in the art of the song-book up to the world of the Italian meter. In any case, there has witness of which Mendoza used the octosílabo and the hendecasyllable of an indistinct way along his extensive poetical path, and that with his first essays with sonnets contributed to the acclimatization of new strophe in the Spanish literature; though not always innovation and quality have traversed the same luck.