El rastro de Lope, Tirso y Calderón en «Lo que puede la aprehensión», de Moreto, y su adaptación por Thomas Corneille
- Statement of Responsibility:
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Castrillo Alaguero, Javier
- Main Author:
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Castrillo Alaguero, Javier
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- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2020
- In:
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 8, Nº. 1, 2020, pags. 375-391
- Subjects:
- Annotation:
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This work presents the itinerary traveled by some motifs used by Agustín Moreto (1654), whose model are Lope de Vega (1621), Tirso de Molina (1627) and Calderón de la Barca (1639). In addition, we will examine the recasting made by Thomas Corneille of the Moreto's play in his comedy Le charme de la voix (1658), in order to show the evolution that has experienced a motive created by Lope de Vega, continued, in part, by Tirso and Calderón, reused by Agustín Moreto and finally adapted by the French dramatist. Throughout the study will be deepened the most prominent similarities and divergences among all the comedies mentioned
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| 520 | 3 | \ | |a This work presents the itinerary traveled by some motifs used by Agustín Moreto (1654), whose model are Lope de Vega (1621), Tirso de Molina (1627) and Calderón de la Barca (1639). In addition, we will examine the recasting made by Thomas Corneille of the Moreto's play in his comedy Le charme de la voix (1658), in order to show the evolution that has experienced a motive created by Lope de Vega, continued, in part, by Tirso and Calderón, reused by Agustín Moreto and finally adapted by the French dramatist. Throughout the study will be deepened the most prominent similarities and divergences among all the comedies mentioned |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Agustín Moreto | ||
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| 650 | |a Tirso de Molina | ||
| 650 | |a Calderón de la Barca | ||
| 650 | |a Thomas Corneille | ||
| 650 | |a reescritura | ||
| 650 | |a refundición | ||
| 650 | |a intertextualidad | ||
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| 650 | |a Lope de Vega | ||
| 650 | |a Tirso de Molina | ||
| 650 | |a Calderón de la Barca | ||
| 650 | |a Thomas Corneille | ||
| 650 | |a rewriting | ||
| 650 | |a recasting | ||
| 650 | |a intertextuality | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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