Subversión y censura en el entremés carnavalesco

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                            [a] => En este artículo se comentarán tres entremeses de revista de figuras: el anónimo El hospital de los podridos, que parece inaugurar el subgénero, seguido de El examinador miser Palomo, de Antonio Hurtado de Mendoza, que lo consolida, representado en 1617 en las fiestas de Lerma, y finamente El comisario de figuras, de Alonso de Castillo Solórzano, con el propósito de considerar: 1) si en ellos se pueden constatar procedimientos carnavalescos; 2) si es posible contextualizar el sentido de la mofa y de la burla, y 3) si esta orientación puede llamarse subversiva y responder a algún propósito ideológico.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 8,  Nº. 1,  2020,  pags. 175-190
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