Apuntes de viaje d´Isabel Pesado de Mier. Entre écriture du deuil et écriture du monde
- Statement of Responsibility:
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Mohssine, Assia
- Main Author:
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Mohssine, Assia
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- Format:
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Journal article
- Language:
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French
- Form / Genre:
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text (article)
- Published:
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2019
- In:
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Sociocriticism ISSN 0985-5939 Vol. 29, Nº. 1-2, 2019, pags. 277-295
- Subjects:
- Annotation:
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In 1870, the Romantic poet Isabel Pesado travelled with her husband, Antonio de Mier, and with her sister Carmen Pesado to the United States and Europe in order to overcome the pain caused by the death of his only son. Such a long trip has to be considered a kind of therapy whose object was the recovering of her shipwrecking subjectivity. Thus, the travel implied an external and an internal trip; a death and a rebirth; an exploration of the otherness and a questioning of the self-identity. Apuntes de viaje is, over 625 pages, a trip recap, a diary, and an exercise in poetical writing at the same time, and also an attempt to exorcise the pain of a mother. Our purpose is to demonstrate how the mourning transforms the trip recap and refounds its codes and meanings creating an original discourse about the private and the public, the masculine and the feminine.
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| 520 | 3 | \ | |a In 1870, the Romantic poet Isabel Pesado travelled with her husband, Antonio de Mier, and with her sister Carmen Pesado to the United States and Europe in order to overcome the pain caused by the death of his only son. Such a long trip has to be considered a kind of therapy whose object was the recovering of her shipwrecking subjectivity. Thus, the travel implied an external and an internal trip; a death and a rebirth; an exploration of the otherness and a questioning of the self-identity. Apuntes de viaje is, over 625 pages, a trip recap, a diary, and an exercise in poetical writing at the same time, and also an attempt to exorcise the pain of a mother. Our purpose is to demonstrate how the mourning transforms the trip recap and refounds its codes and meanings creating an original discourse about the private and the public, the masculine and the feminine. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 650 | |a romanticismo | ||
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| 650 | |a récit de voyage XIXe | ||
| 650 | |a écriture du deuil | ||
| 650 | |a romanticisme | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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"Apuntes de viaje" d'Isabel Pesado de Mier: entre écriture du deuil et écriture du monde
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