"Dulce oveja y brava leona": las mujeres de la clase trabajadora en el teatro de Pilar Millán Astray

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                            [a] => Aquest article analitza tres sainets de Pilar Millán Astray, El juramento de la Primorosa (1924), Mademoiselle Naná (1928) i Los amores de la Nati (1931), per proposar que en ells s'hi manifesten certes contradiccions en com s'hi tracta a la dona pròpies del feminisme catòlic de l'època. Si, d'una banda, es ressalten valors tradicionals com la honra o virginitat, la bondat, el patriotisme i la fe religiosa, d'altra es defenen aspectes més liberals com la fortalesa, la independència, el treball remunerat i la culpabilitat dels homes que enganyen les dones amb falses promeses. Tot i l'èmfasi en la puresa de la dona i els finals feliços, sovint precipitats, en aquestes obres es transmet un missatge a favor de la llibertat de la dona dins els marcs socials tradicionals del moment.
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                            [g] => Nº. 28,  2022 (Ejemplar dedicado a: Rostros y voces de mujeres de la Edad de Plata),  pags. 75-91
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