El sobrevivir: la pasión fundamental en la poesía del argentino Héctor Viel Temperley

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                            [a] => After locating the coordinates of our poet, we intend to consider the production of the Argentine Héctor Viel Temperley (Buenos Aires, 1933-1987) according to the Semiotics of passions (1991,) proposed by Greimas and Fontanille, and according to the precisions of The semiotic turn, by Paolo Fabbri (1989). The notion and the term 'passion' make it possible to point out discursivization of what we have called 'border violence', coinciding with what goes beyond what is strictly rational. Through overflow, passion is introduced into the discourse through figurativizations. In turn, it is the mobile of action. In the case of Viel Temperley, the 'emotion-action' link is constantly present. His poetic discourse is built on the body as a proprioceptive edge. A body in which present, past and future are revealed together; a body in whose figurativizations the excess of meaning appears as a disturbing fold that cannot finish grasping. A body-effigy, an erotic body, athletic, a maker; moreover, in Viel's collections of poems, the text gradually becomes its own body. He even goes so far as to propose a 'soulbody' unit. Sickness is the only time it stops, but it acts as an engine. From sickness is originated the seeking of survival; even more: the 'hope of survival', with a logic of combat, aspires to final victory through "ascesis", a making process that does not stop even with death.
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                            [t] => Archivum: Revista de la Facultad de Filosofía y Letras
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                            [g] => Nº 72,  2022,  pags. 29-67
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