En busca del lenguaje del horror: H. P. Lovecraft según Alberto Breccia

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                            [a] => El presente trabajo se aboca al análisis de las transposiciones que realizara Alberto Breccia de Los mitos de Chtulhu de H. P Lovecraft durante la década del setenta. Proponemos que efectivamente existe una relación entre esta etapa de mayor experimentación formal de Breccia �cuyas técnicas se vinculan estrechamente con las vanguardias pictóricas� y sus elecciones temáticas, es decir, la selección de ciertos clásicos literarios vinculados al horror y a la literatura gótica a partir de los cuales el autor llevará a cabo sus innovadoras versiones historietísticas. En segundo lugar, se avanzará en el análisis de la interpretación y presentación que Breccia realiza de ciertos problemas propios de la obra de Lovecraft, principalmente el problema de lo irrepresentable en la experiencia del horror y su conexión con lo sublime y lo siniestro; problema que, por su naturaleza, no sólo habilitará sino que también reclamará un lenguaje pictórico que se oriente hacia la experimentación formal
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                            [t] => Extravío: revista electrónica de literatura comparada
                            [x] => 1886-4902
                            [g] => Nº. 4,  2009 (Ejemplar dedicado a: Cómics y libros ilustrados: lecturas comparatistas),  pags. 18-32
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