La asimilación de Barba Azul con la figura del tirano en las obras de Perrault y Bartók

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                            [b] => Universitat de València: Departamento de Teoría de los Lenguajes y Ciencias de la Comunicación
                            [c] => 2011
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                            [a] => De acuerdo con Paul Ricoeur, se puede acceder a toda relación simbólica desde tres diferentes niveles de comprensión; a saber, uno cósmico, uno onírico y uno poético. El estudio de cada uno de ellos aportará una serie de directrices que, puestas en común con las restantes, permitirán la observación de rasgos análogos y sintomáticos en el texto trabajado, lo que posibilitará comprender, más allá de cuanto en la narración resulta explícito, aquello que permanece en la oscuridad del proceso formativo. Aplicaremos estas propuestas sobre el Barba Azul de Perrault para confrontarlas con la obra homónima de Bartók y desvelar, de este modo, las sorprendentes asimilaciones encontradas entre el señor del castillo como rey-dios solar, las mujeres de aquel como potencias inconscientes enterradas, y la obra en general como un descenso órfico al interior del castillo.
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                            [t] => Extravío: revista electrónica de literatura comparada
                            [x] => 1886-4902
                            [g] => Nº. 6,  2011 (Ejemplar dedicado a: El cuento de nunca acabar. Escrituras y reescrituras de cuentos tradicionales),  pags. 97-113
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