La recepción de "Met." 13,750-897 en libretos de ópera
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- Statement of Responsibility:
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Alvarez Morán, María Consuelo
- Main Author:
- Other Authors:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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Universidad de Valladolid: Servicio de Publicaciones 2013
- In:
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Minerva: Revista de filología clásica ISSN 0213-9634 Nº 26, 2013, pags. 231-265
- Subjects:
- Annotation:
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The influence of Ovid's Metamorphoses in secular dramas of several Italian courts of the 15th and 16th centuries paves the way for the birth of opera in Italy. The themes of the first musical dramas draw their inspiration from Ovid's Metamorphoses; since then, the Ovidian arguments have continued to attract the interest of composers and librettists throughout the history of opera. This article examines the adaptation of the love triangle between Acis, Galatea and Polyphemus, a legend created by Ovid, into opera. After a mythographic analysis of the characters, the authors analyze the adaptation of Met. 13,750-897 in three musical dramas: the pastoral héroïque by Lully-Campistron, the zarzuela by Literes-Cañizares and the masque by Händel-Gay. The detailed comparative analysis of the different librettos with the Metamorphoses demonstrates the writers' fidelity to, or free adaptation from, their source. At the same time, the paper aims to detect the influence of other passages of this Ovidian epos on these works.
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520 | 3 | \ | |a The influence of Ovid's Metamorphoses in secular dramas of several Italian courts of the 15th and 16th centuries paves the way for the birth of opera in Italy. The themes of the first musical dramas draw their inspiration from Ovid's Metamorphoses; since then, the Ovidian arguments have continued to attract the interest of composers and librettists throughout the history of opera. This article examines the adaptation of the love triangle between Acis, Galatea and Polyphemus, a legend created by Ovid, into opera. After a mythographic analysis of the characters, the authors analyze the adaptation of Met. 13,750-897 in three musical dramas: the pastoral héroïque by Lully-Campistron, the zarzuela by Literes-Cañizares and the masque by Händel-Gay. The detailed comparative analysis of the different librettos with the Metamorphoses demonstrates the writers' fidelity to, or free adaptation from, their source. At the same time, the paper aims to detect the influence of other passages of this Ovidian epos on these works. |
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540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: http://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: http://dialnet.unirioja.es/info/derechosOAI |
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