Femme nue, femme noire de Calixte Beyala frente a " Femme noire " de Leopold Sedar Senghor

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                            [a] => La intención de este estudio consiste en resaltar algunos elementos semiótico-discursos de Femme nue, femme noire de Calixte Beyala frente a Femme noire de Léopold Sédar Senghor. Se trata de demostrar, a través de las nociones de intertextualidad, dialogismo, polifonía, transtextualidad, paratextualidad, etc�, desarrollados por algunos críticos como Genette, Bajtin, Barthes, Kristeva, Maingueneau, que todo texto es un intertexto, que el texto de Calixte Beyala se inspira en el de Sédar Senghor y que ambos autores, no obstante sus diferentes perspectivas y épocas, pertenecen a una misma red discursiva, es decir, a la corriente literario-ideológica de la Negritud.
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