Luces y sombras: Boscán en las «Anotaciones» de Herrera

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                            [a] => This article examines the reception of Boscán in Herrera's Anotaciones,  paying special attention to the process of belatedness Boscán is  subjected to in Herrera's discourse on the sonnet. This process, I  argue, shows Herrera's indebtedness to the vocabulary and methods of  periodization employed by humanist historiography. The article also  explores a few important aspects related to genre and intertextuality in  the two sonnets in morte that Boscán wrote in memory of Garcilaso at  the end of his petrarchan collection and discusses the reasons why  Herrera praised these two poems in his Anotaciones.
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