Los negros como figura de negación y diferencia en el teatro barroco
- Statement of Responsibility:
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Fra Molinero, Baltasar
- Main Author:
-
Fra Molinero, Baltasar
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2014
- In:
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 2, Nº. 2, 2014, pags. 7-29
- Subjects:
- Annotation:
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La modernidad europea y americana niega e invisibiliza a los negros. En el teatro español del Renacimiento y el Barroco la figura del negro aparece de tres maneras. El negro aparece como negación de la humanidad, como protagonista del intento de borrar su color negro y su presencia en la sociedad como diferencia y como ser en la historia y finalmente como individuo que reclama la libertad frente a la sociedad que lo esclaviza y que niega su presencia y su memoria en la historia. Este último caso es el del protagonista de la comedia Juan Latino de Diego Ximénez de Enciso.
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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