La representación del indio en «La aurora en Copacabana» de Calderón
- Statement of Responsibility:
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Gutiérrez Meza, José Elías
- Main Author:
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Gutiérrez Meza, José Elías
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2014
- In:
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 2, Nº. 2, 2014, pags. 31-42
- Subjects:
- Annotation:
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The article analyzes the onomastics of the Indian characters, the portrayal of the Inca Empire of Huáscar and Atahualpa, and the Christianization of Guacolda and Yupangui in Calderón's La Aurora en Copacabana. Rational and proactive, these two characters realize the illegitimacy of the Inca idolatry and embrace the true religion, long before the formal start of Perú's christianization. Thus, it is argued that this specific representation of the Indian may have been influenced by the close circles indianos of Miguel de Aguirre, who allegedly patronized this comedy.
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| 245 | \ | \ | |a La representación del indio en «La aurora en Copacabana» de Calderón |c Gutiérrez Meza, José Elías |
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| 520 | 3 | \ | |a The article analyzes the onomastics of the Indian characters, the portrayal of the Inca Empire of Huáscar and Atahualpa, and the Christianization of Guacolda and Yupangui in Calderón's La Aurora en Copacabana. Rational and proactive, these two characters realize the illegitimacy of the Inca idolatry and embrace the true religion, long before the formal start of Perú's christianization. Thus, it is argued that this specific representation of the Indian may have been influenced by the close circles indianos of Miguel de Aguirre, who allegedly patronized this comedy. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Literature | ||
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| 650 | |a Indian | ||
| 650 | |a Inca | ||
| 650 | |a Comedia Indiana | ||
| 650 | |a Perú | ||
| 650 | |a Literatura | ||
| 650 | |a Calderón | ||
| 650 | |a indio | ||
| 650 | |a incas | ||
| 650 | |a comedia indiana | ||
| 650 | |a Perú | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |x 2328-1308 |g Vol. 2, Nº. 2, 2014, pags. 31-42 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=4901099 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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