Hacia la novela de burlas: Salas Barbadillo, Castillo Solórzano y el Tirso de Los tres maridos burlados

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                            [a] => This article draws attention to a type of XVIIth century novella that has been neglected or simply studied as a derivation of other literary manifestations. My objective is to define the main characteristics of a short narrative that we can name «burlesque novella». I define it as a short story (the regular extension of the baroque novella) containing in the heart of its plot an elaborate trick with an exemplary purpose. From this perspective, the burlesque novella is a show organized by noblemen for noblemen, composed by educated writers, that incorporated ridiculous characters on stage. The burlesque novella -founded by Salas Barbadillo, and continued by Castillo Solórzano and Tirso de Molina- is a narrative genre still misunderstood and in need of further exploration. Tirso's Los tres maridos burlados is a paradigmatic literary piece from this genre.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 1,  Nº. 1,  2013,  pags. 121-131
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