Huellas cervantinas en el ciclo farsesco de Federico García Lorca
- Statement of Responsibility:
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Cobo Esteve, Marta
- Main Author:
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Cobo Esteve, Marta
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2014
- In:
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Cuadernos de investigación filológica ISSN 0211-0547 Tomo 40, 2014, pags. 27-42
- Subjects:
- Annotation:
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Along his life, Federico García Lorca declared several times his debt with the Golden Age Theatre, especially with the entremeses or short plays of Miguel de Cervantes. The entremeses become, in the hands of the playwright from Granada, the root of which shape can be given to the framework in which farcical cycle is spun. The Cervantes's entremeses appeared as a source of characters, subject matters and human tones with which the poet writes three farces in which aims to reintroduce traditional subject matters to build up a mythical, universal and timeless space that becomes the world's mirror which stifles those individuals who stay out of what was established by society.
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| 520 | 3 | \ | |a Along his life, Federico García Lorca declared several times his debt with the Golden Age Theatre, especially with the entremeses or short plays of Miguel de Cervantes. The entremeses become, in the hands of the playwright from Granada, the root of which shape can be given to the framework in which farcical cycle is spun. The Cervantes's entremeses appeared as a source of characters, subject matters and human tones with which the poet writes three farces in which aims to reintroduce traditional subject matters to build up a mythical, universal and timeless space that becomes the world's mirror which stifles those individuals who stay out of what was established by society. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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