«Las quinas de Portugal» de Tirso de Molina y la censura salazarista
- Statement of Responsibility:
-
Lourenço, António Apolinário
- Main Author:
-
Lourenço, António Apolinário
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
-
Journal article
- Language:
-
Spanish; Castilian
- Form / Genre:
-
text (article)
- Published:
-
2015
- In:
-
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 3, Nº. 2, 2015, pags. 33-47
- Subjects:
- Annotation:
-
In March 1968, Portuguese censors stopped the broadcast on public television -which was the only television network at the time- of Tirso de Molina's comedy Las quinas de Portugal. This play stages the most important creation myth for the Portuguese nation: on the eve of the battle of Ourique, a crucified Christ appeared and offered Count Afonso Henriques his five holy wounds as a symbol for the Portuguese coat of arms. In this article, I intend to understand the ethical and political reasoning of the censors who read this play, written by one of the most important playwrights of the Spanish Golden Age
| LEADER | 02907nab a22003850u 4500 | ||
| 001 | spart8643 | ||
| 003 | ES-LoD | ||
| 005 | 20230516100050.0 | ||
| 008 | 230516s2015\\\\sp\\\\\\\\\\\\\\\\\\spa\\ | ||
| 022 | \ | \ | |a 2328-1308 |
| 041 | \ | \ | |a spa |
| 100 | \ | \ | |a Lourenço, António Apolinário |
| 245 | \ | \ | |a «Las quinas de Portugal» de Tirso de Molina y la censura salazarista |c Lourenço, António Apolinário |
| 260 | \ | \ | |c 2015 |
| 520 | 3 | \ | |a In March 1968, Portuguese censors stopped the broadcast on public television -which was the only television network at the time- of Tirso de Molina's comedy Las quinas de Portugal. This play stages the most important creation myth for the Portuguese nation: on the eve of the battle of Ourique, a crucified Christ appeared and offered Count Afonso Henriques his five holy wounds as a symbol for the Portuguese coat of arms. In this article, I intend to understand the ethical and political reasoning of the censors who read this play, written by one of the most important playwrights of the Spanish Golden Age |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a literatura | ||
| 650 | |a Portugal | ||
| 650 | |a Tirso de Molina | ||
| 650 | |a Comedy | ||
| 650 | |a Myth | ||
| 650 | |a Heraldry | ||
| 650 | |a Censorship | ||
| 650 | |a literatura | ||
| 650 | |a Portugal | ||
| 650 | |a Tirso de Molina | ||
| 650 | |a comedia | ||
| 650 | |a mito | ||
| 650 | |a heráldica | ||
| 650 | |a censura | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |x 2328-1308 |g Vol. 3, Nº. 2, 2015, pags. 33-47 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=5259495 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
stdClass Object
(
[LEADER] => 02907nab a22003850u 4500
[001] => Array
(
[0] => spart8643
)
[003] => Array
(
[0] => ES-LoD
)
[005] => Array
(
[0] => 20230516100050.0
)
[008] => Array
(
[0] => 230516s2015\\\\sp\\\\\\\\\\\\\\\\\\spa\\
)
[022] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => 2328-1308
)
)
)
[041] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => spa
)
)
)
[100] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Lourenço, António Apolinário
)
)
)
[245] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => «Las quinas de Portugal» de Tirso de Molina y la censura salazarista
[c] => Lourenço, António Apolinário
)
)
)
[260] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[c] => 2015
)
)
)
[520] => Array
(
[0] => stdClass Object
(
[ind1] => 3
[ind2] => \
[code] => stdClass Object
(
[a] => In March 1968, Portuguese censors stopped the broadcast on public television -which was the only television network at the time- of Tirso de Molina's comedy Las quinas de Portugal. This play stages the most important creation myth for the Portuguese nation: on the eve of the battle of Ourique, a crucified Christ appeared and offered Count Afonso Henriques his five holy wounds as a symbol for the Portuguese coat of arms. In this article, I intend to understand the ethical and political reasoning of the censors who read this play, written by one of the most important playwrights of the Spanish Golden Age
)
)
)
[538] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => application/pdf
)
)
)
[540] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
)
)
)
[650] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => literatura
)
)
[1] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Portugal
)
)
[2] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Tirso de Molina
)
)
[3] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Comedy
)
)
[4] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Myth
)
)
[5] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Heraldry
)
)
[6] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Censorship
)
)
[7] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => literatura
)
)
[8] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Portugal
)
)
[9] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Tirso de Molina
)
)
[10] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => comedia
)
)
[11] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => mito
)
)
[12] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => heráldica
)
)
[13] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => censura
)
)
)
[655] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => 4
[code] => stdClass Object
(
[a] => text (article)
)
)
)
[773] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => \
[code] => stdClass Object
(
[t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
[x] => 2328-1308
[g] => Vol. 3, Nº. 2, 2015, pags. 33-47
)
)
)
[856] => Array
(
[0] => stdClass Object
(
[ind1] => 4
[ind2] => 0
[code] => stdClass Object
(
[u] => https://dialnet.unirioja.es/servlet/oaiart?codigo=5259495
)
)
)
[995] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Biblioteca Nacional de España
)
)
)
)
