La relación entre carácter y destino en la modernidad a través del mito de las sirenas: de Homero a Kafka y Joyce
- Statement of Responsibility:
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de Camps Mora, Jacobo
- Main Author:
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de Camps Mora, Jacobo
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- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2016
- In:
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Castilla: Estudios de Literatura ISSN 1989-7383 Nº. 7, 2016
- Subjects:
- Annotation:
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The present article studies the relationship between Heraclitean concepts êthos and daímôn from Classical Antiquity to the first half of the 20th century by analysing the differences between the siren's myth in The Odyssey and its contemporary readings in Kafka and Joyce. It starts by approaching the relationship Erich Auerbach establishes between both concepts in Homer and Greek Tragedy and opposing them to the modern birth of what Imre Kertész terms "functional man". It then focuses on Kafka to show the modern lack of communication between character and destiny -the symbol of which is the siren's silence in Das Schweigen der Sirenen-, as well as a possible answer to the set out nihilism. Regarding Joyce, it studies the chapter "Sirens" from Ulysses to reveal how the modern song's universal attraction frustrates its listeners' self-expression.
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| 520 | 3 | \ | |a The present article studies the relationship between Heraclitean concepts êthos and daímôn from Classical Antiquity to the first half of the 20th century by analysing the differences between the siren's myth in The Odyssey and its contemporary readings in Kafka and Joyce. It starts by approaching the relationship Erich Auerbach establishes between both concepts in Homer and Greek Tragedy and opposing them to the modern birth of what Imre Kertész terms "functional man". It then focuses on Kafka to show the modern lack of communication between character and destiny -the symbol of which is the siren's silence in Das Schweigen der Sirenen-, as well as a possible answer to the set out nihilism. Regarding Joyce, it studies the chapter "Sirens" from Ulysses to reveal how the modern song's universal attraction frustrates its listeners' self-expression. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a humanidades | ||
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| 650 | |a Joyce | ||
| 650 | |a Homero | ||
| 650 | |a el mito de las sirenas | ||
| 650 | |a literatura del siglo XX | ||
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| 650 | |a destiny | ||
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| 650 | |a Kafka | ||
| 650 | |a Joyce | ||
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| 773 | |t Castilla: Estudios de Literatura |x 1989-7383 |g Nº. 7, 2016 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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