Sobre las aguas del mar: reescrituras del conde Arnaldos en la España de los años veinte

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                            [a] => This paper examines from a comparative point of view the re-writing of the «Romance del Conde Arnaldos» in three 20thcentury Works: Conrado del Campo's Evocación medieval (1925), Ramón G. Ribot's poem «Nuevo Romance del Conde Arnaldos» (1928) and lastly Rafael Alberti's sonnet «A un Capitán de Navío» (1928).  Departing from Kristeva's concept of «intertextuality» (1967) and the later contributions of scholars as Genette (1982) or Guillén (1985), and also adding the musician's inter-artistic perspective, every work is analyzed individually and both the mechanisms of transposition and the functionality that tradition acquires are examined in every case.  Studying the reformulation of this specific ballad in the analyzed Works allows us to delve into the 1920's neopopularism rhetorical strategies and insert these aesthetics in a dialogue with a much more complex tradition than the one allowed by the easy recourse to folklore.
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                            [g] => Nº. 7,  2015,  pags. 1-30
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