Borges y Escher: el laberinto Barroco y las paradojas de la percepción del neo-Barroco
- Statement of Responsibility:
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Leonardi, Emanuele
- Main Author:
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Leonardi, Emanuele
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2016
- In:
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 4, Nº. 2, 2016, pags. 219-235
- Subjects:
- Annotation:
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In baroques labyrinths it get consumed the perverse pleasure of artificious complexity, the enthusiasm for a virtual architecture able to metaphorise the endless trajectories of an inextricable universe. One of the evidents signs of neo-baroque crisis in Borges's poetics is, without doubts, the presence of labyrinth's geometrical metaphors. Also Escher, through his graphics representations of the unestable equilibrium between illusion and disillusion, between decryption and ontological doubt, between figures possibles and impossibles, ends enrolling himself in the scope of neo-baroque crisis.
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| 520 | 3 | \ | |a In baroques labyrinths it get consumed the perverse pleasure of artificious complexity, the enthusiasm for a virtual architecture able to metaphorise the endless trajectories of an inextricable universe. One of the evidents signs of neo-baroque crisis in Borges's poetics is, without doubts, the presence of labyrinth's geometrical metaphors. Also Escher, through his graphics representations of the unestable equilibrium between illusion and disillusion, between decryption and ontological doubt, between figures possibles and impossibles, ends enrolling himself in the scope of neo-baroque crisis. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 650 | |a Baroque | ||
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| 650 | |a Labyrinth | ||
| 650 | |a Metaphor | ||
| 650 | |a literatura | ||
| 650 | |a paradoja | ||
| 650 | |a Borges | ||
| 650 | |a Escher | ||
| 650 | |a Barroco | ||
| 650 | |a Neo-Barroco | ||
| 650 | |a laberinto | ||
| 650 | |a metáfora | ||
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| 773 | |t Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |x 2328-1308 |g Vol. 4, Nº. 2, 2016, pags. 219-235 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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