Narcocultura y crisis de la identidad en El amante de Janis Joplin , de Élmer Mendoza

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                            [a] => The present study seeks to interpret the discursive formations inscribed in the novel by  Élmer Mendoza,  El amante de Janis Joplin (2001), as a transcript of the collective identity around  the  phenomenon  of  narcoculture.  For  this,  we  will  use  the  Foucault ́s reflection  on  the  aspects  involved in the process of gestation of discourse as a heuristic axis on which the knowledge of the  social imaginary inscribed in the text.
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