Sumak Kawsay y sujeto cultural en No me esperen en abril de Alfredo Bryce Echenique
- Statement of Responsibility:
-
Frau-Ardon, Michele
- Autor:
-
Frau-Ardon, Michele
Nie posiadamy jednoznaczego identyfikatora lub notki o tej osobie. Możesz spróbować zdobyć więcej informacji korzystając z zewnętrzych wyszukiwarek:
- Format:
-
Artykuł z czasopisma
- Język:
-
Spanish; Castilian
- Forma / Gatunek:
-
text (article)
- Opublikowane:
-
2018
- W:
-
Sociocriticism ISSN 0985-5939 Vol. 33, Nº. 1-2, 2018, pags. 51-82
- Hasła przedmiotowe:
- Adnotacja:
-
We introduce the Sumak Kawsay concept from Bryce Echenique's novel, No me esperen en abril, via the cultural paradigm of the Pacha Mama in the Lima of the 1950s (nineteen fifties), identified as a migratory alluvium, the break downs, the gap, (the distance) and eventually, the elimination of the two main characters of the novel, Manongo, the hegemonic power representative, and Adán Quispe, the cholo del corralón, who questions the neo-liberal speech of the economical development, pointing the cesuras it generates, as themselves problematizes the relationship between humans and Nature.
| LEADER | 02965nab a22004090u 4500 | ||
| 001 | spart11172 | ||
| 003 | ES-LoD | ||
| 005 | 20230516100051.0 | ||
| 008 | 230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\ | ||
| 022 | \ | \ | |a 0985-5939 |
| 041 | \ | \ | |a spa |
| 100 | \ | \ | |a Frau-Ardon, Michele |
| 245 | \ | \ | |a Sumak Kawsay y sujeto cultural en No me esperen en abril de Alfredo Bryce Echenique |c Frau-Ardon, Michele |
| 260 | \ | \ | |c 2018 |
| 520 | 3 | \ | |a We introduce the Sumak Kawsay concept from Bryce Echenique's novel, No me esperen en abril, via the cultural paradigm of the Pacha Mama in the Lima of the 1950s (nineteen fifties), identified as a migratory alluvium, the break downs, the gap, (the distance) and eventually, the elimination of the two main characters of the novel, Manongo, the hegemonic power representative, and Adán Quispe, the cholo del corralón, who questions the neo-liberal speech of the economical development, pointing the cesuras it generates, as themselves problematizes the relationship between humans and Nature. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Sumak Kawsay | ||
| 650 | |a Perú | ||
| 650 | |a 1950 | ||
| 650 | |a cultural subject | ||
| 650 | |a Alfredo Bryce Echenique | ||
| 650 | |a No me esperen en abril | ||
| 650 | |a sociocriticism | ||
| 650 | |a Bryce Echenique | ||
| 650 | |a Sumak Kawsay | ||
| 650 | |a Perú | ||
| 650 | |a 1950 | ||
| 650 | |a Pacha Mama | ||
| 650 | |a sujeto cultural | ||
| 650 | |a Alfredo Bryce Echenique | ||
| 650 | |a No me esperen en abril | ||
| 650 | |a sociocrítica | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Sociocriticism |x 0985-5939 |g Vol. 33, Nº. 1-2, 2018, pags. 51-82 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=6469014 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
stdClass Object
(
[LEADER] => 02965nab a22004090u 4500
[001] => Array
(
[0] => spart11172
)
[003] => Array
(
[0] => ES-LoD
)
[005] => Array
(
[0] => 20230516100051.0
)
[008] => Array
(
[0] => 230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\
)
[022] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => 0985-5939
)
)
)
[041] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => spa
)
)
)
[100] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Frau-Ardon, Michele
)
)
)
[245] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Sumak Kawsay y sujeto cultural en No me esperen en abril de Alfredo Bryce Echenique
[c] => Frau-Ardon, Michele
)
)
)
[260] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[c] => 2018
)
)
)
[520] => Array
(
[0] => stdClass Object
(
[ind1] => 3
[ind2] => \
[code] => stdClass Object
(
[a] => We introduce the Sumak Kawsay concept from Bryce Echenique's novel, No me esperen en abril, via the cultural paradigm of the Pacha Mama in the Lima of the 1950s (nineteen fifties), identified as a migratory alluvium, the break downs, the gap, (the distance) and eventually, the elimination of the two main characters of the novel, Manongo, the hegemonic power representative, and Adán Quispe, the cholo del corralón, who questions the neo-liberal speech of the economical development, pointing the cesuras it generates, as themselves problematizes the relationship between humans and Nature.
)
)
)
[538] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => application/pdf
)
)
)
[540] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
)
)
)
[650] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Sumak Kawsay
)
)
[1] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Perú
)
)
[2] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => 1950
)
)
[3] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => cultural subject
)
)
[4] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Alfredo Bryce Echenique
)
)
[5] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => No me esperen en abril
)
)
[6] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => sociocriticism
)
)
[7] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Bryce Echenique
)
)
[8] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Sumak Kawsay
)
)
[9] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Perú
)
)
[10] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => 1950
)
)
[11] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Pacha Mama
)
)
[12] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => sujeto cultural
)
)
[13] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Alfredo Bryce Echenique
)
)
[14] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => No me esperen en abril
)
)
[15] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => sociocrítica
)
)
)
[655] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => 4
[code] => stdClass Object
(
[a] => text (article)
)
)
)
[773] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => \
[code] => stdClass Object
(
[t] => Sociocriticism
[x] => 0985-5939
[g] => Vol. 33, Nº. 1-2, 2018, pags. 51-82
)
)
)
[856] => Array
(
[0] => stdClass Object
(
[ind1] => 4
[ind2] => 0
[code] => stdClass Object
(
[u] => https://dialnet.unirioja.es/servlet/oaiart?codigo=6469014
)
)
)
[995] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Biblioteca Nacional de España
)
)
)
)
