La representación del discurso interior en El reino de Celama de Luis Mateo Díez:: polifonía coral

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                            [a] => The  aim  of  this  article  is  to  an alyze  the  inner  speech  on  El  reino  de  Celama by  Luis  Mateo Díez, a literary cycle composed by  El espíritu del páramo (1996),  La ruina del cielo  (1999) y  El  oscurecer  (un  encuentro)  (2002).  To  this  purpose,  it  deems  appropriate  to  delve  into  the  evolution o f the inner voices (Ismael Cuende's doctor and Rapano's shepherd) that integrate the  coral polyphony as the main source of the novel. Throughout this pages, the study expects to fill  a  gap  in  this  discursive  approach  that  the  specialised  critic  has  not  ded icated  a  thorough  reflection
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