Proust y la superación del realismo:: las vidrieras de la iglesia de Combray

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                            [a] => The present article pursues to explore, by making a detailed textual analysis, some of the  recurrent  topics  of  the  Combray symbolic  universe,  where  Proust  condenses  his  aesthetic  and  epistemological conception of  the world.  Particularly, the  stai ned glass of  Saint - Hilaire's church  and its description in this first chapter are also representative of the proustian literary strategies,  which  entail  the  overcome  of  the  classic  realism  in  favor  of  a  metaliterary  symbolism.  The  proposed analysis, then,  aims to elucidate how those architectural symbols work in the literary  construction that the  Recherche is
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