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The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?

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    Soler Pardo, Betlem
    Autor:
    Soler Pardo, Betlem

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    Format:
    Artykuł z czasopisma
    Język:
    English
    Forma / Gatunek:
    text (article)
    Opublikowane:
    2018
    W:
    Archivum: Revista de la Facultad de Filología ISSN 0570-7218 Nº 68, 2018, pags. 241-264
    Hasła przedmiotowe:
    Adnotacja:

    Quentin Tarantino is a controversial figure, whose trademark use of offensive language and explicit violence have, in particular, been subject to censure. A source of consternation for his detractors is the constant use of the N-word. In this article, I offer a detailed examination of the use of the N-word by white people in a broad range of discursive contexts.  I begin with a quantitative analysis in the eight films directed by Tarantino -Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Four Rooms (1995), Kill Bill (vol. I & II) (2003 & 2004), Death Proof (2007), Inglorious Basterds (2009), and Django Unchained(2013) - followed by choice  phrases extracted from those films in which the presence of the N-word is most palpable. 


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