The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?
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- Statement of Responsibility:
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Soler Pardo, Betlem
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Artykuł z czasopisma
- Język:
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English
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2018
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Archivum: Revista de la Facultad de Filología ISSN 0570-7218 Nº 68, 2018, pags. 241-264
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Quentin Tarantino is a controversial figure, whose trademark use of offensive language and explicit violence have, in particular, been subject to censure. A source of consternation for his detractors is the constant use of the N-word. In this article, I offer a detailed examination of the use of the N-word by white people in a broad range of discursive contexts. I begin with a quantitative analysis in the eight films directed by Tarantino -Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Four Rooms (1995), Kill Bill (vol. I & II) (2003 & 2004), Death Proof (2007), Inglorious Basterds (2009), and Django Unchained(2013) - followed by choice phrases extracted from those films in which the presence of the N-word is most palpable.