L'espace narratif dans "Comment Wang-Fô fut sauvé" de Marguerite Yourcenar

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                            [a] => Comment Wang-Fô fut sauvé, la première des Nouvelles Orientales de Marguerite Yourcenar, est un récit où l'espace, en particulier un de ses éléments, joue un rôle très important et livre la clé de l'adverbe initial. Partant des réflexions de divers auteurs, ma démarche consistera à répondre à plusieurs questions pour comprendre le sens de l'espace dans ce texte : dans quels lieux physiques se situent objets et personnages et où se déroule l'action ? Comment et pourquoi se produit le voyage ? Comment caractériser les différents espaces et les déplacements qui s'y opèrent ? Je proposerai ensuite un parallèle entre lieux et personnages, et j'étudierai le lieu final du voyage et point d'orgue de l'œuvre. J'analyserai la manière dont l'auteure incorpore l'espace au discours, et les notations sensorielles lui permettant de s'approprier l'espace. Enfin j'examinerai comment elle le conjugue avec le temps, et comment s'opère la fusion entre l'espace et l'art.
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