Técnica teatral y paradojas en los prólogos de Sófocles

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                            [a] => This  paper  analyses  four  prologues  among  the  extant  tragedies  of  Sophocles  ( Ajax,  Antigone,  Oedipus  Rex   and  Oedipus  at  Colonus )  and  studies  some  features  of  the  drama   technique  employed  by  the  author.  These  elements,  which  in  some  cases  we  may  see   as  "parad oxical", confirm the importance of the prologue as the first part of the tragedy. It has, as  its main function, to expose the plot at the beginning of the tragedy in front of the viewers that  need this information. The paper offers a classification of regular paradigms in the composition  of these four pr
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                            [a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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                            [t] => Minerva: Revista de filología clásica
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                            [g] => Nº 31,  2018,  pags. 35-60
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