El Romanticismo musical de Carpentier en "Los pasos perdidos" a través de Donizetti y Beethoven

stdClass Object
(
    [LEADER] => 02427nab a22002890u 4500
    [001] => Array
        (
            [0] => spart11529
        )

    [003] => Array
        (
            [0] => ES-LoD
        )

    [005] => Array
        (
            [0] => 20230516100051.0
        )

    [008] => Array
        (
            [0] => 230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\
        )

    [022] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => 1697-4239
                        )

                )

        )

    [041] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => spa
                        )

                )

        )

    [100] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => Kube, Luciana
                        )

                )

        )

    [245] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => El Romanticismo musical de Carpentier en "Los pasos perdidos" a través de Donizetti y Beethoven
                            [c] => Kube, Luciana
                        )

                )

        )

    [260] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [c] => 2018
                        )

                )

        )

    [520] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => 3
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => Aproximación al Romanticismo musical en Los pasos perdidos. Este artículo analiza la relación entre el argumento de la novela y las referencias musicales románticas, específicamente a través de los compositores Donizetti y Beethoven. La idea de poeta romántico que expuso Schiller se revela en Carpentier tanto en el poeta ingenuo como en el sentimental.
                        )

                )

        )

    [538] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => application/pdf
                        )

                )

        )

    [540] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
                        )

                )

        )

    [650] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Alejo Carpentier
                        )

                )

            [1] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Romanticismo
                        )

                )

            [2] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Donizetti
                        )

                )

            [3] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Beethoven
                        )

                )

            [4] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Schiller
                        )

                )

            [5] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => Música
                        )

                )

        )

    [655] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => 4
                    [code] => stdClass Object
                        (
                            [a] => text (article)
                        )

                )

        )

    [773] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => 0
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [t] => Analecta Malacitana ( AnMal electrónica )
                            [x] => 1697-4239
                            [g] => Nº. 44,  2018,  pags. 45-55
                        )

                )

        )

    [856] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => 4
                    [ind2] => 0
                    [code] => stdClass Object
                        (
                            [u] => https://dialnet.unirioja.es/servlet/oaiart?codigo=6633731
                        )

                )

        )

    [995] => Array
        (
            [0] => stdClass Object
                (
                    [ind1] => \
                    [ind2] => \
                    [code] => stdClass Object
                        (
                            [a] => Biblioteca Nacional de España
                        )

                )

        )

)