Miguel Hernández, Lacan y la búsqueda del yo poético
- Statement of Responsibility:
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Dávila-Montes, José
- Autor:
- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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Universidad de León: Servicio de Publicaciones 2007
- W:
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Lectura y signo: revista de literatura ISSN 1885-8597 Nº. 2, 1, 2007, pags. 367-394
- Hasła przedmiotowe:
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- Adnotacja:
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The work of the Spanish poet Miguel Hernández (1910-1942) is often studied under the marked influx of his striking biography. This paper posits an analysis of the poetic self of this author by submitting some «marginal» poems to the psychoanalytical construct provided by the theoretical framework of Jacques Lacan (1901-1981). By selecting a reduced, yet representative, number of Lacanian concepts and applying them to a series of poems that are not usually regarded as «major» within the production of Hernández, this paper seeks to scrutinize the constitution of his poetic self under the psychoanalytic principle of looking at liminal spaces of speech. Three are the main «drives» in Hernández's poetics, life, death and love. The appropriateness of the Lacanian construct to the study of his poetry is thus posed to be fertile and enlightening.
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520 | 3 | \ | |a The work of the Spanish poet Miguel Hernández (1910-1942) is often studied under the marked influx of his striking biography. This paper posits an analysis of the poetic self of this author by submitting some «marginal» poems to the psychoanalytical construct provided by the theoretical framework of Jacques Lacan (1901-1981). By selecting a reduced, yet representative, number of Lacanian concepts and applying them to a series of poems that are not usually regarded as «major» within the production of Hernández, this paper seeks to scrutinize the constitution of his poetic self under the psychoanalytic principle of looking at liminal spaces of speech. Three are the main «drives» in Hernández's poetics, life, death and love. The appropriateness of the Lacanian construct to the study of his poetry is thus posed to be fertile and enlightening. |
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540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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650 | |a metáfora | ||
650 | |a metonimia | ||
650 | |a sexualidad | ||
650 | |a deseo | ||
650 | |a sangre | ||
650 | |a muerte | ||
650 | |a escatología | ||
650 | |a Miguel Hernández | ||
650 | |a Jacques Lacan | ||
650 | |a 20th century Spanish poetry | ||
650 | |a psychoanalysis | ||
650 | |a poetic self | ||
650 | |a metaphor | ||
650 | |a metonymy | ||
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995 | \ | \ | |a Biblioteca Nacional de España |
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