Lenguaje de carnaval en el teatro breve del Siglo de Oro

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                            [a] => This paper analyzes the linguistic peculiarities of a collection of theatrical  «mojigangas» from a pragmalinguistic perspective. Considering the similarities  between the theatrical dialogue and the conversation, the analysis is based on the  Cooperative Principle formulated by Paul Grice for conversational exchanges. The  transgression characteristic of the carnival is explained, in the language of these  pieces, as the systematic breach of the maxims of Quality, Quantity, Relation and  Mode, which helps the authors to obtain the surprise and laughter of the spectator
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 8,  Nº. 1,  2020,  pags. 95-118
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