A reading of Bergadis' "Apokopos": its Boccaccian models and purgatory theology

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                            [a] => Este artículo ofrece una interpretación del sentido último del "Apókopos" a partir del análisis de elementos intratextuales como los temas del olvido de los difuntos, de las malas viudas y del segundo matrimonio, encuadrándolos en el marco de la teología del Purgatorio y del discurso de la viudez santa. Proponemos que dichos temas, propios de la misoginia medieval y tardomedieval, podrían referirse al tópico no explícito de la misogamia ("dissuasio matrimonii"), y que Bergardís tomó como fuente de inspiración las obras de Boccaccio, especialmente "Il Corbaccio y De casibus virorum illustrium", para componer una crítica contra la decadencia del sistema de solidaridad purgatoria "post mortem" por parte de los intermediarios tradicionales, las viudas y los frailes.
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                            [g] => Nº. 35,  2014 (Ejemplar dedicado a: El Greco "Raíces bizantinas y modernidad occidental en Doménikos Theotocópoulos"),  pags. 301-380
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